Peacock Gate.
City Palace Jaipur
(Foto von Payal J. Haveri)

Peacock Gate.

City Palace Jaipur

(Foto von Payal J. Haveri)

Lovebirds Jean Seberg and Jean-Paul Belmondo in À bout de souffle directed by Jean-Luc Godard in 1960.

So schön.

(Source: violentwavesofemotion, via theotherway)

Replacements for “Cool Story, Bro”

  • Fascinating discourse, chum
  • Riveting fable, comrade
  • Intriguing anecdote, brethren
  • Perpetuating argument, colleague
  • Sweet saga, yo
  • Waste of time, jerk
  • Spellbinding reiteration there, my chummy
  • Phantasmagorical novelization, oh great one
  • Interesting intellect, imbecile
  • Trepidating bore, fetus
  • Ballin’ gossip, dawg

Spinvis - Kom terug

Y. That perfect letter. The wishbone, fork in the road, empty wineglass. The question we ask over and over.

Marjorie Celona

In Hollywood, more often than not, they’re making more kind of traditional films, stories that are understood by people. And the entire story is understood. And they become worried if even for one small moment something happens that is not understood by everyone. But what’s so fantastic is to get down into areas where things are abstract and where things are felt, or understood in an intuitive way that, you can’t, you know, put a microphone to somebody at the theatre and say ‘Did you understand that?’ but they come out with a strange, fantastic feeling and they can carry that, and it opens some little door or something that’s magical and that’s the power that film has.

David Lynch (via cinyma)

(via theotherway)